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Welcome to Frame By Frame Movie Reviews, by Collin Souter.
Don't forget to hang up your speakers when you leave.
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An "Epic" Best of 2024
We critics love our lists. It's our way of bidding farewell to another year of non-stop movie-watching, comparing notes with colleagues,...

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15 Blu-rays From 2024 That Make Me Glad To Be A Collector
My favorite physical media releases for 2024.

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"Joker" sings its way into nothingness
My wife has a rating system she calls “Knitability.” Is the movie engaging enough to give it your undivided attention? Or can you knit to...

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"Megalopolis" contains a multitude of experiences
I wanted to get this out about my experience of watching Francis Ford Coppola’s extraordinary anomaly, “Megalopolis,” on September, 23rd,...

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The Purposeful Savagery of “Furiosa”
“Epic” still comes easily to Miller and modern cinema is all the better for it.

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Coppola's "Priscilla" finds heartbreak in the American Dream
The first shot we see in Sofia Coppola’s film is that of Priscilla’s perfectly manicured, bare feet sinking into a pink shag carpet....

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"The Killer" is about as imaginative as its title
There comes a time when I just have to admit to myself that there are certain characters, storytelling devices, thematic elements and...
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Interview with Gavin Friday, Part 2
You can read Part 1 of my interview with Gavin Friday about "Peter and the Wolf" here on RogerEbert.com Since what follows doesn't quite...
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U2's Sphere show prophesizes the end of the world... and it's beautiful
[[WARNING: SPOILER'S THROUGHOUT]] U2’s Zoo TV Tour in 1992-93–or more specifically, Bono’s alter-ego characters–fulfilled many...
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