When Diane Keaton passed away, many of us who post regularly on the socials took to our keyboards and told the world about our favorite role of hers and what her presence on screen meant to us. The range of titles was wide indeed. “The Godfather” movies, “Reds,” “Annie Hall” (and many other Woody Allen titles), “Looking For Mr. Goodbar," “Father of the Bride,” “Baby Boom” and my personal favorite, Alan Parker's “Shoot The Moon,” were among the many films that people remembere

A well-meaning mess that doesn’t leave a long lasting impression

In trying to adapt Bono's one man show into a piece of cinema, Andrew Dominik and his crew have only succeeded half way.  Bono's ability...

We critics love our lists. It's our way of bidding farewell to another year of non-stop movie-watching, comparing notes with colleagues,...

My favorite physical media releases for 2024.

My wife has a rating system she calls “Knitability.” Is the movie engaging enough to give it your undivided attention? Or can you knit to...

I wanted to get this out about my experience of watching Francis Ford Coppola’s extraordinary anomaly, “Megalopolis,” on September, 23rd,...

“Epic” still comes easily to Miller and modern cinema is all the better for it.

The first shot we see in Sofia Coppola’s film is that of Priscilla’s perfectly manicured, bare feet sinking into a pink shag carpet....